About

The group Nobuntu is performing in front of microphones. All of the members are wearing garments with stripes or patterns. Out of the five performers, the middle one is sitting down playing a bongo drum.

Nobuntu performing in Susquehanna University’s Degenstein Theater through Mid Atlantic Tours 2018. Credit: Chad Hummel.

Mid Atlantic Tours is a curated roster program of performing artists and ensembles chosen to tour throughout the mid-Atlantic region. Subsidy is provided directly to presenters engaging artists from the roster for performances. The roster of artists changes annually but maintains a programmatic commitment to a diversity of performance genres, international cultural exchange, and engaging communities underserved by the arts.

The annual artist roster is selected through a staff-curated process led by MAAF Program Officer, Performing Arts, with input from mid-Atlantic presenters through an annual survey. Criteria considered in the selection process include artists or ensembles that appeal to a wide-range of presenters within the mid-Atlantic region, artist affordability and technical requirements, and strong artist representation.

The discipline specific categories for the roster include dance, music, and theater, as well as a rotating category that changes annually to address different disciplines, genres, or special opportunities.

There is no application process for artists to be part of the Mid Atlantic Tours roster. Presenters interested in learning more about the booking and funding process should refer to the Booking Guidelines and Artist Roster tabs under this program.

The 2019-2020 touring roster and booking guidelines will be announced in Fall 2018.

Questions regarding Mid Atlantic Tours should be directed to Haowen Wang, Program Officer, Performing Arts, at haowen@midatlanticarts.org.

Mid Atlantic Tours is made possible through the generous support of the National Endowment for the Arts’ Regional Touring Program with additional funding provided by  the Delaware Division of the Arts.

Now Booking

2019-2020 Artist Roster

CIRCUS ARTS

A man balances in plank position facing downward while holding hands with a nother man on his back on the stage. The balancing man's hips are supported by the other man's feet. The acrobats are surrounded by children seated around them on stage.

Upswing performs Bedtime Stories: Credit M. Hessenberg.

Upswing | Bedtime Stories (London, UK)
Website: www.upswing.org.uk
Media: Trailer: https://vimeo.com/134487331 | Project R&D: https://vimeo.com/116250243
For fees and booking information, contact: Jenni Taylor Swain, Potluck Arts, jenni@potluckarts.org

London-based circus theatre pioneers Upswing are among the UK’s leading contemporary circus companies. Founded in 2006 by Artistic Director Vicki Amedume, Upswing remain at the forefront of contemporary circus with diverse artists at the helm. Upswing brings new artists and experiences to the stage that reflect a dynamic, modern world.

Upswing has created 13 productions, eight of which were commissioned and six of which have toured internationally. Bedtime Stories, which has garnered awards and delighted family audiences across the UK and in Latin America (with Asia upcoming), offers a uniquely immersive and awe-inspiring experience for parents and children to enjoy together.

Bedtime Stories welcomes children and their parents into an immersive world of a giant child’s bedroom, where a magical story unfolds at bedtime, traversing the real and the imaginary. Audiences enter a theater space transformed by a circular patchwork of beds, mattresses, pillows, and blankets where the audience can settle in comfortably, unwinding and reconnecting within their family units. Bedtime Stories depicts bedtime rituals, and the struggles of contemporary families to find time to be together and reconnect, infusing these everyday activities with the amazing dimensions of aerial dance and partner acrobatics.

Community engagement activity options: the company offers a range of community engagement activities. For more information, click here.

Download tech rider here

DANCE

"Bewildered", Adryan Moorefield, Courtney Robinson, Janine Beckles, PHILADANCO, Rosita Adamo, Tommie-Waheed Evans, Victor Lewis Jr. Six dancers leap straight up in a v-shaped split jummp against a white background. They are costumed in primary colors - each one different.

Bewildered. Credit: Lois Greenfield.

Philadanco! (PA)
Website: www.philadanco.org
Media: Iquail Shaheed / Anthony Burrell / Tommie Waheed-Evans: https://tinyurl.com/PhiladancoSuccessStories
Post-show talk at Jacob’s Pillow 2018 with excerpts from Suite En Bleu (Sagan) – Enemy Behind the Gates (Huggins)– Super 8 (Mercer) and Endangered Species (Burrell): https://www.youtube.com/watch?v=M45fCGuwrns
For fees and booking information, contact: Pamela Green, PMG Arts Management, pam@pmgartsmgt.com

Celebrated for its innovation, creativity, and preservation of predominantly African-American traditions in dance, Philadanco! is on the verge of celebrating its 50th anniversary in the 2019-2020 season. Founded in 1970 by Joan Myers Brown, Philadanco! will celebrate its achievements in contemporary dance by touring repertory that features  recently commissioned works by Philadanco! alumni. This can include works such as Iquail Shaheed’s The Order and Anthony Burrell’s Endangered Species, alongside important legacy works of seasoned choreographers such as Sagan (Suite En Bleu), Huggins (Enemy Behind the Gates), and Mercer (Super 8!). Programs can be rounded out with stunning contemporary ballet works like Thang Dao’s Folded Prism or Francisco Gella’s Between the Lines.

Community engagement activity options: 47 years of performance and over 55 years of teaching means that Joan Myers Brown (Founder/Executive Artistic Director) is responsible for a century of American dance. She was featured in the recently acclaimed documentary film Black Ballerina and offers dance presenters the option to focus on her biography, The Audacious Hope of the Black Ballerina. Additional activities include lecture/discussions centered around her book and master classes in modern techniques, jazz, and ballet to train the next generation of aspiring artists. Screenings of the Black Ballerina film can be facilitated to coincide with these activities.

Download tech rider here

MUSIC

Head and shoulder of Crys Matthews with a dark grey mottles background. Crys wears turquoise eyeglasses, a striped collared shirt, red suspenders, and a blue and red bow tie.

Credit: Jess Fasano.

Crys Matthews (VA)
Website: www.crysmatthews.com
Media: Live From Center Stage: https://www.youtube.com/watch?v=YhlmyZZ3DxI&feature=youtu.be&t=1s
TEDxHerndon: https://www.youtube.com/watch?v=s5Sb1dZq2gk
For fees and booking information, contact: Jim Fleming, Fleming Artists, jim@flemingartists.com

A prolific lyricist and composer, Crys Matthews blends Americana, folk, jazz, blues, bluegrass, and funk into a bold, complex performance steeped in traditional melodies and punctuated by honest, original lyrics. In August 2017, Matthews simultaneously released both a new, full-length album, The Imagineers, and an EP, Battle Hymn For An Army Of Lovers. These collections showcase two sides of Matthews’ dynamic songwriting: The Imagineers is a selection of thoughtful songs about love and life, while Battle Hymn For An Army Of Lovers tackles social justice themes. Songs from both projects have already won her recognition and awards. She was one of ten finalists (out of 5,000 entrants) in 2017’s NewSong Music and Performance Competition, and after performing at Lincoln Center, she was named grand-prize winner. The win earned her a spot at Sundance Film Festival’s ASCAP Music Cafe. Matthews also won the People Music Network’s Social Justice Songs contest at the 2017 Northeast Regional Folk Alliance, as well as a coveted official showcase at Folk Alliance International back in February, 2018.

Community engagement activity options:
Post-performance talkbacks and Q&As are welcome; workshops on social justice topics available (coming out, LGBTQ issues, race relations, intersectionality, criminal justice reform, black lives matter dialogue, opioid crisis, etc.), and music theory workshops on things like transposition available as well.

Download tech rider here

MUSIC

Six women stand against a bright blue wall. Only the last woman hols an instruments. They are all brightly dressed and smiling.

Credit: Courtesy of the artist.

Jane Bunnett and Maqueque (Ontario, Canada)
Website: www.janebunnett.com
Media: NPR Tiny Desk Concert: https://www.youtube.com/watch?v=2yxU-_md2hE
Café Pilon: https://www.youtube.com/watch?v=lHlccZ3YRMk
For fees and booking information, contact: Reggie Marshall, MarsJazz Booking Agency, reggie@marsjazz.com

Jazz flautist/saxophonist Jane Bunnett has won numerous Juno awards in her native Canada and has been nominated for 3 Grammys in the U.S.  In addition she has received an Order of Canada, The Queens Diamond Jubilee medal, and most recently Ontario’s Premiers Award for Excellence. An internationally acclaimed musician who has built her reputation working with Cuban musicians for over 35 years, Jane’s ability to embrace and showcase the rhythms and culture of Cuba has been groundbreaking and demonstrates the universality of music.   In 2014, she founded Jane Bunnett and Maqueque to promote and extend performance opportunities to talented, young female musicians from Cuba. Since then, Jane Bunnett and Maqueque have broken new territory in Cuban music and toured Australia, Brazil, Canada, and the United States numerous times. The group has built a strong following with audiences and critics alike.

Community engagement activity options:
Jane Bunnett and Maqueque are well prepared for workshops and interactive presentations. Workshop/ presentations walk the audience through the rich history of Cuban music by demonstrating the various traditional forms such as Rumba, Changui, Cuban Son and Danzon. The group will cover some basic Afro-Cuban rhythms, allowing the audience to better understand the deep roots of Maqueque’s modern approach to Jazz. These workshops have been well received by students of music as well as the general public.

Download tech rider here

MUSIC

Los Pleneros plays live. From left to right a man plays percussion while standing; a man plays the standing bass; a man sings; and a woman dances, her skirt twirling in a circle to obscure her face.

Credit: Courtesy of the artist.

Los Pleneros de la 21 (NY)
Website: www.losplenerosdela21.org
Media: Somos Boricuas (live): https://www.youtube.com/watch?v=9HANCoVDn7k
Live at Smithsonian Folklife Festival: https://vimeo.com/226648145
For fees and booking information, contact: Maureen Loughran, Center for Traditional Music and Dance, mloughran@ctmd.org

Founded in 1983 by NEA Heritage Fellow Juan Gutiérrez, Los Pleneros de la 21 (LP21) is an intergenerational ensemble of today’s venerated Latino musicians and top Bomba and Plena practitioners. The ensemble, based in the heart of El Barrio (Spanish Harlem), is known for creating infectious sounds which combine the folkloric and raw percussion elements of Puerto Rican Bomba and Plena genres with contemporary and urban styles, like Son, Salsa, Jazz, and Hip Hop.

In 2017, Los Pleneros de la 21 recorded their latest musical album, LIVE at Pregones—a project which captured the next musical phase of the ensemble, while also tracing a historical trajectory of the group’s 35+ year-long musical journey. The album, to be released by Truth Revolution Records in the fall of 2018, sets the tone for LP21’s touring endeavors in the 2019-2020 season.

Community engagement activity options:
As an institution founded upon the traditional and cultural expressions of Puerto Rican identity and folklore, LP21 has combined its touring and performance initiatives in unique compliment with an expansive roster of community and educational programs, offered year round. For more information, click here.

Download tech rider here

MUSIC

A black and white image of four women dressed in black standing around a table reviewing sheet music that is scattered along the top. A violin lies in the foreground.

Credit: David Oldfield.

Nordic Affect (Reykjavík, Iceland)
Website: www.nordicaffect.com
Media: Clockworking MV: https://www.youtube.com/watch?v=Yl_gzcvjS1c
Live at National Sawdust: https://www.youtube.com/watch?v=zlkaK6vylgE
For fees and booking information, contact: Christina Jensen, Jensen Artists, christina@jensenartists.com

Icelandic ensemble Nordic Affect has been hailed as a ‘multi-disciplinary force of nature’ (A Closer Listen), and for its ‘ineffable synergy between the performers’ (San Francisco Classical Voice). Founded in 2005, Nordic Affect was formed by a group of period instrument musicians who were united in their passion for viewing familiar musical forms from a different perspective and for daring to venture into new musical terrain. In 2013 the ensemble was nominated for the Nordic Council Music Prize and was named Performer of the Year at the Iceland Music Awards in 2014.

Believing that music knows no boundaries, Nordic Affect has brought its music-making to contemporary and rock audiences alike and performed to critical acclaim at festivals in Europe and the US. The commissioning and performance of new works is integral to Nordic Affect’s mission as it has, from the group’s inception, combined new compositions with the music of the 17th and 18th centuries. Since their debut album in 2007, Nordic Affect’s performances can be found on the Deutsche Grammophon, Bad Taste Records, Musmap, Brilliant Classics and Sono Luminus labels. In 2017, Nordic Affect was featured on the Los Angeles Philharmonic’s Reykjavik Festival, and has also performed at National Sawdust in New York, Constellation in Chicago, and at the UC Berkeley Art Museum.

For more information on program offerings and community engagement activity options, click here.

Download tech rider here

THEATER

Paige Hernandez jumps onstage clicking her heels together to the right. She wears sneakers, black pants, and a white shirt. To the left behind page, a man stands at a tall table. The set resembles a school play yard.

Credit: Courtesy of the artist.

Paige Hernandez (DC)
Website: bflyentertainment.com
Media: Havana Hop: https://www.youtube.com/watch?v=ukFbV2gSqOg
Paige in Full: https://www.youtube.com/watch?v=jXY9kuUDsbo
For fees and booking information, contact: Simon Shaw, Shaw Entertainment Group, simon@shawentertainment.com

Paige is a multifaceted artist who is known for her innovative fusion of poetry, hip hop, dance, and education.  With her company B-FLY ENTERTAINMENT, Paige has written and performed several original works. To date, she tours her children’s show Havana Hop (grades pre-k-3rd) and her solo show, Paige in Full: A B-girl’s Visual Mixtape (Grades 5-college) throughout the country. Paige’s touring projects can be viewed on the repertory tab at: https://shawentertainment.com/paige-hernandez/

As a master teaching artist, Paige has taught throughout the country, to all ages, in all disciplines. She has been recognized in many organizations including the Wolf Trap Institute for Early Learning through the Arts and Arena Stage where she was awarded the Thomas Fichandler Award for exceptional promise in theater education. The Huffington Post also named Paige a “classroom hero” because of her outstanding arts integration and work with STEAM initiatives.

As a hip-hop education advocate, Paige has shaped various educational workshops, including “Props for Hip Hop” at Arena Stage and “Keep it Moving” at Wolf Trap.  Both workshops help teachers to understand the fundamentals of hip-hop while incorporating the culture into their curriculum.

Sensory friendly performances available.

Community engagement activity options: the artists offer a range of community engagement activities. For more information, click here. (password: paige)

Download tech rider here. (Havana Hop)

Booking Guidelines

Mid Atlantic Tours provides fee support grants to presenting organizations in Delaware, the District of Columbia, Maryland, New Jersey, New York, Pennsylvania, the U.S. Virgin Islands, Virginia, and West Virginia booking the current roster artists for engagements taking place between July 1, 2019 and June 30, 2020. Engagements must be confirmed no later than March 1, 2019.

For full booking and program guidelines, please download the 2019-2020 Booking Guidelines.

For your convenience, guidelines are available in both PDF and Word formats below.

Download Mid Atlantic Tours Booking Guidelines as a PDF (link opens in a new window)
Download Mid Atlantic Tours Booking Guidelines as a screen-reader friendly Word document (click link to download)

Current Tours

2018-2019 Mid Atlantic Tours

All schedules are subject to change. Please check with the performance venue to confirm dates and times, and for ticket information.

CHORAL MUSIC

Man stands in foreground with arms raised. Choir stands in back against a bright yellow and purple background.

Photo: Courtesy of the Artist

The Crossing (Donald Nally, Conductor) (PA)
Website: www.crossingchoir.com
Media: www.youtube.com/watch?v=AV-yxjn2A9E

Winner of the 2018 GRAMMY Award for best choral performance, The Crossing is a professional chamber choir conducted by Donald Nally and dedicated to new music. Highly sought-after by contemporary composers, The Crossing has premiered dozens of works by the elite of contemporary composers.

9/29/2018 Montclair State University – Peak Performances, Montclair, NJ
2/6/2019 Salisbury University, Salisbury, MD
2/7/2019 Delaware Art Museum, Wilmington, DE
2/8/2019 Rowan University, Glassboro, NJ

 

CONTEMPORARY CHAMBER MUSIC

Photo is three separate close up shots of artists. Three men. Shots on the left and right are men looking at the camera. Artistsin the middles is singing into the microphone with an arm raised.

Photo: Courtesy of the artist.

M is Black Enough (NYC)
Website: visionintoart.com/projects/m-is-black-enough
Media: vimeo.com/165642076

M is Black Enough (aka Miyamoto is Black Enough) is a band and collaborative evening-length concert consisting of composer/percussionist Andy Akiho, poet/spoken-word artist Roger Bonair-Agard, cellist Jeffrey Zeigler, and drummer Sean Dixon. A contemporary band of hard driving rhythms and biting social commentary, M is Black Enough aims to be complex and aggressive, and to involve all elements equally in a bold narrative about people, justice, struggle, joy, and celebration.

2/6/2019 Troy Savings Bank Music Hall, Troy, NY
2/7-8/2019 West Virginia State University, Institute, WV
5/30-31/2019 Delaware Art Museum, Wilmington, DE
6/1/2019 Motor House, Baltimore, MD

 

DANCE

Man and a woman face each other through the set piece of an old house. Video of the artist is being projected on stage behind them. Photo credit: Tyler Silver.

Photo: Tyler Silver

Bridgman|Packer Dance (NYC)
Website: www.bridgmanpacker.org
Media: vimeo.com/179381670

Art Bridgman and Myrna Packer’s innovative “Video Partnering” work  — the integration of live performance and video technology — has been acclaimed for its highly visual and visceral alchemy of the live and virtual. In 2018-2019 Bridgman|Packer will offer numerous programs for touring, including Truck, where an ordinary 17-foot U-Haul truck evolves from the utilitarian into a reimagined space through integration of live performance and video technology.

7/13-14/2018 LUMBERYARD Contemporary Performing Arts, Catskill, NY
7/25-26/2018 American Dance Asylum, Corning, NY
8/4/2018 Erie Arts & Culture, Erie, PA
8/18-19/2018 Torn Space Theater, Buffalo, NY
9/7/2018-4/6/2019 Monmouth University Center for the Arts, West Long Branch, NJ
1/31-2/2/2019 Reading Area Community College – Miller Center for the Arts, Reading, PA
2/9/2019 Nazareth College Arts Center, Rochester, NY
2/19/2019 Salisbury University, Salisbury, MD
6/13-15/2019 Columbia Festival of the Arts, Columbia, MD

 

FOLK/TRADITIONAL MUSIC

Close-up head shot of Kaia Kater.

Photo: Todd Cooper

Kaia Kater (Canada)
Website: kaiakater.com
Media: www.youtube.com/kaiakater

Listed as Rolling Stone Magazine’s “10 New Country Artists You Need to Know” in 2016, Kaia Kater plays folk mountain music with a modern day edge. She grew up between two worlds: one her family’s deep ties to Canadian folk music as well as the years she spent studying Appalachian music in West Virginia; the other her identity as an artist born of Afro-Caribbean descent in Québec. Her acclaimed debut album Sorrow Bound (2015) touched on this divide, but her second album, Nine Pin (2016), delves further, and casts an eye at the realities faced by people of color in North America today. Kaia Kater’s songs are fueled by her rich low tenor vocals, jazz-influenced instrumentation, and beautifully understated banjo, but it is her keen traditional sensibility and lyrical ability that makes her stand out as a new artist on the rise.

7/14/2018 Wintergreen Performing Arts, Nellysford, VA
7/15/2018 Huntington Arts Council, Huntington, NY
9/15/2018 Frostburg State University Cultural Events Series, Frostburg, MD
10/13/2018 Augusta Heritage Center of Davis & Elkins College, Elkins, WV
11/1/2018 Weinberg Center for the Arts, Frederick, MD
11/2/2018 Creative Alliance, Baltimore, MD
11/3/2018 Arden Concert Gild, Wilmington, DE
3/2/2019 Zeiders American Dream Theater, Virginia Beach, VA
3/8/2019 Carnegie Hall, Lewisburg, WV
3/9/2019 Floyd Creative Studios, Floyd, VA
6/7/2019 Flushing Town Hall, Flushing, NY
6/12/2019 The Pittsburgh Cultural Trust, Pittsburgh, PA
6/27/2019 The Freeman Stage at Bayside, Selbyville, DE

 

JAZZ

Woman in pink dress sits on a vintage chair with a black background. Photo credit to Janice Yim.

Photo: Janice Yim

René Marie & Experiment In Truth (VA)
Website: renemarie.com
Media: www.youtube.com/watch?v=oJ64fMe0Xh4

In a span of two decades, 11 recordings and countless stage performances, vocalist René Marie has cemented her reputation as not only a singer but also a composer, arranger, theatrical performer and teacher. Guided and tempered by powerful life lessons and rooted in jazz traditions laid down by Ella Fitzgerald, Dinah Washington and other leading ladies of past generations, she borrows various elements of folk, R&B and even classical and country to create a captivating hybrid style. The Sound of Red, her most recent album and first of all-original material, provide glimpses of the many small but profound turning points that are a part of an individual life.

7/22/2018 Norwood Village Green Concert Series, Norwood, NY
10/17/2018 Salisbury University, Salisbury, MD
10/21/2018 William Paterson University of New Jersey – Shea Center for Performing & Visual Arts, North Bergen, NJ
2/15/2019 Frostburg State University Cultural Events Series, Frostburg, MD
2/16/2019 University of Pennsylvania – Annenberg Center for the Performing Arts, Philadelphia, PA
2/21/2019 Bucknell University Weis Center for the Performing Arts, Lewisburg, PA
2/22/2019 Weinberg Center for the Arts, Frederick, MD
2/23/2019 Manchester Craftsmen’s Guild, Pittsburgh, PA
4/11-13/2019 The Forum, St. Thomas, VI
4/12/2019 St. John School of the Arts, St. John, VI
6/21/2019 Columbia Festival of the Arts, Columbia, MD

 

THEATER

Woman wearing a hijab sits on a chair in front of a music stand. Her eyes are closed and her right hand is raised. Two men sit on either side with music stands in front of them. Photo credit to Adam Nadel.

Photo: Adam Nadel

Beyond Sacred: Voices of Muslim Identity | Ping Chong + Company (NYC)
Website: www.pingchong.org
Media: vimeo.com/205938937

Ping Chong + Company produces theatrical works addressing the important cultural and civic issues of our times under the artistic leadership of Ping Chong, one of America’s leading theatrical innovators and recipient of the National Medal of Arts. Beyond Sacred is an interview-based theater production exploring the diverse experiences of Muslim Americans. The five young participants vary in many ways, but share the common experience of coming of age in a post-9/11 America and in this current moment of rising fear of and violence towards Muslims. Beyond Sacred was developed through a community-engaged process wherein Ping Chong + Company artists extensively interviews local participants. These interviews become the basis of the script, performed by the community members themselves, that weaves together personal, historical, and political narratives.

10/12/2018 The Theatre at RVCC, Branchburg, NJ
10/14-15/2018 UAlbany Performing Arts Center, Albany, NY
2/6-8/2019 Millersville University of Pennsylvania – The Ware Center, Lancaster, PA
4/10-13/2019 Emory & Henry College – Woodrow W. McGlothlin Center for the Arts, Emory, VA

 

WORLD MUSIC

5 piece ensemble stand in front of a graffitied wall. Two females and three males. Promotional photo courtesy of the artist.

Photo: Courtesy of the Artist.

Alsarah & the Nubatones (NYC)
Website: www.alsarah.com
Media: www.youtube.com/watch?v=0PX8xca4-5E

Alsarah & the Nubatones were born out of many dinner conversations between Alsarah and Rami El Aasser about nubian ‘songs of return’, modern migration patterns and the cultural exchanges between Sudan and Egypt. A common love for the richness of pentatonic sounds, and shared migration experiences, expanded the conversation to include Brandon Terzic on Oud, Mawuena Kodjovi on Bass and Trumpet as well as the charismatic vocalist, Nahid. Under the leadership of Alsarah, the Brooklyn based group’s sound grew into what they have dubbed as ‘east – african retro-pop’ rooted in Sudan and Nubia and drawing from the rich diversity of East-Africa’s musical heritage.

11/1-2/2018 University of Maryland College Park – Clarice Smith Performing Arts Center, College Park, MD
11/3/2018 Wayne Theatre Alliance, Waynesboro, VA
11/7/2018 Bucknell University – Weis Center for the Performing Arts, Lewisburg, PA
11/14/2018 Mountain Stage, Charleston, WV
3/9/2019 Lake Placid Center for the Arts, Lake Placid, NY
4/5/2019 Creative Alliance, Baltimore, MD

Manage Your Grant

Changes in Project Proposal

Any changes in the content, schedule, or budget of your project as proposed must be submitted in writing for approval prior to being implemented. Requested changes must be submitted to Phillip Harmon, Grants and Operations Officer, at phillip@midatlanticarts.org.

Funding Acknowledgement and Crediting

Acknowledgement and Crediting requirements were included as Exhibit A of the Grant Award Agreement.

Grantees must clearly acknowledge support from Mid Atlantic Arts Foundation through use of both the credit language and logo as outlined below.  Use of the Mid Atlantic Arts Foundation logo does not replace the credit language. Copies of the required crediting materials must be submitted as part of the final report.

Credit and Logo Usage Details

The following statement and the Mid Atlantic Arts Foundation logo MUST appear in all programs, websites and press releases produced by the funded organization or its agents in relation to the funded project. In addition, the following statement and the Mid Atlantic Arts Foundation logo should be included whenever possible, either jointly or separately as necessary, in all flyers and postcards, email communications, season brochures, social media posts and calendars, and any other print or electronic promotional and publicity materials produced by the funded organization or its agents in relation to the funded project.

  • This statement must be used in its entirety and cannot be altered in any way.

This engagement of [ARTIST] is funded through the Mid Atlantic Tours program of Mid Atlantic Arts Foundation with support from the National Endowment for the Arts.*

Website Link

Grantees are required to include a link to the Mid Atlantic Arts Foundation website at www.midatlanticarts.org when crediting Mid Atlantic Arts Foundation on their website. This link MUST remain active during the entire length of your grant period with MAAF. You are requested, but not required, to embed the link in MAAF’s logo.

*Some projects are also supported by our State partners. Please refer to the specific crediting requirements and language in your Grant Award Agreement to ensure you provide proper crediting for your project.

Final Reports

Final report requirements and instructions were included as Exhibit B of the Grant Award Agreement.

Grantees are required to submit a final report which is due thirty (30) days after the end of the grant period on record as listed in the Grant Award Agreement.

Final reports are to be completed online using the Mid Atlantic Arts Foundation’s eGRANT system at http://midatlanticarts.egrant.net.  Please read the instructions in the eGRANT system carefully.

The account used to submit the Common Information Form for the grant must be used to complete the final report. If you do not remember your login and/or password, please use the link on the eGRANT login page to retrieve the information.

For questions about your grant and the crediting or final reporting requirements, contact Phillip Harmon, Grants and Operations Officer, at phillip@midatlanticarts.org or 410.539.6656 x109.