Established by Mid Atlantic Arts Foundation in 1994, the Living Legacy Jazz Award honors living American jazz masters who have contributed to the development and perpetuation of the jazz legacy in the mid-Atlantic region. The award recognizes distinguished performers who have made a special commitment to jazz education, and who have worked to impart his or her unique knowledge of the art of jazz to emerging artists.
Odean Pope was born in Ninety-Six, South Carolina to musical parents who rooted him in the sounds of the Southern Baptist Church. After moving to Philadelphia at the age of ten, his lifelong study of music began in earnest and was buttressed by The Graniff School of Music and Benjamin Franklin High School’s music program.
Odean grew up in jazz rich territory with other Philadelphia notables such as: John Coltrane, Lee Morgan, Clifford Brown, Benny Golson, McCoy Tyner, Jimmy and Percy Heath, Ray Bryant, Bill Barron, Kenny Barron, Archie Shepp, Jymie Merritt, Jimmy Garrison, Philly Joe Jones and Dizzy Gillespie. Coltrane chose Odean to replace him in Jimmy Smith’s Group when he left for New York to join Miles Davis. Although he was close to Coltrane and continues to revere his artistry, Odean was always searching for his own musical sound. This led him to study with Ron Rubin, the principal woodwind player in the Philadelphia Orchestra. At a later time he studied at The Paris Conservatory for Music under Kenny Clarke. It was there that he received his Certificate in Orchestration, Modern harmony, African rhythms, Be-Bop Art Forms and Arrangement. He studied with the pianist, Ray Bryant, bassist, Jymie Merritt and was significantly influenced by the brilliant, if not eccentric pianist, Hasaan Ibn Ali. Odean adds, “Then being able to study with Max (Roach) from ’79 up until ’02, was like going to one of the highest institutions in the whole world.”
Integrating several musical influences including the church choir of his youth, Philadelphia jazz and R&B of the 50’s and classical woodwind chamber music, led Odean in the early 70’s to help form Catalyst, a collective of musicians and music representing his new aesthetic. A two-CD set was reissued in 1999 on 32 Records as: “Catalyst: The Funkiest Band You Never Heard.” It was music ahead of its time. In 1979, Odean joined the Max Roach Quartet as a regular member for more than two decades. It was as the tenor man with Max Roach that Odean perfected the techniques of circular breathing and multiphonics, both allowing him to stretch his solo improvisations from dazzling elevations to the throbbing, husky sounds for which he is so well known, to all kinds of delicacy in getting from one to the other. Odean won acclaim from Australia to Japan, even winning “Best Tenor Saxophone Player” at the North Sea Jazz Festival.
Odean works with his trio, (Lee Smith, Craig McIver) quartet and saxophone choir. The saxophone choir is formatted with nine saxophones, and was established by Odean in 1977 and premiered in 1985 with a Soul Note album called “The Saxophone Shop.” The saxophone choir has been the realization of his southern legacy; a medium for creating the richly textured harmonic sound that has permeated his musical soul since childhood. Even though he plays clarinet, oboe, piccolo, flute and piano, Odean feels an affinity for the tenor saxophone because it most closely mimics the human voice. He constructs layers of melodic sound by playing within the fourth system in different tone scales using multiphonics, achieving several pitches together, for which he is well known. The choir reaches a stunning intensity that is simultaneously one voice and is also, as described by Francis Davis, “harmonically engorged.”
Odean has led two musical lives. Whereas his musical legion left for New York, Odean kept Philadelphia as his home base. Having grown up in North Philadelphia, Odean has always felt a strong commitment to his community through working musically with the children. He was musical director of a Philadelphia cultural initiative, “Model Cities.” He started the jazz studies program at the Settlement Music School and he continues to give master classes in the School District of Philadelphia, as well as nationally and internationally.
Odean Pope’s artistry as performer, composer, arranger and educator has earned him three citations from the City of Philadelphia. Also, among his many awards are: The Pew Fellowship in the Arts for Music Composition (1992); The Rockefeller Foundation (1992); Cleveland Community College; Afro -American Historical Society; #1Tenor Saxophonist at North Sea Jazz Festival; several from Chamber Music America and Artist of the City (2009). Mr. Pope is honored to be the 2017 recipient of the Mid Atlantic Living Legacy Award.
written by Deena Adler
The BNY Mellon Jazz 2017 Living Legacy Award honoring Odean Pope will be presented on Friday, October 27, 2017 at the John F. Kennedy Center for the Performing Arts. Starting at 7:30pm, event guests will enjoy a reception in the Kennedy Center Atrium where the BNY Mellon Jazz 2017 Living Legacy Award will be presented. Immediately following, guests will be treated to a performance of BNY Mellon Jazz 2016 Living Legacy Honoree Ron Carter in the Kennedy Center’s Terrace Theater.
Tickets for this event will go on sale in August. Seating is extremely limited.
For more information, please contact Karen Newell at firstname.lastname@example.org or via telephone at 410.539.6656 x104.
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2016: Ron Carter
2015: Gary Bartz
2014: Joanne Brackeen
2013: Nathan Davis
2012: Muhal Richard Abrams
2011: Phil Woods
2010: Roy Haynes
2009: Frank Foster
2008: Kenny Barron
2007: Benny Golson
2006: Oliver Lake
2005: Rufus Reid
2004: Randy Weston
2003: Keter Betts
2002: Jimmy Heath
2001: Joe Kennedy, Jr.
2000: Shirley Scott
1999: Reggie Workman
1998: Dr. Donald T. Byrd
1997: Larry Ridley
1996: Barry Harris
1995: Robert “Boysie” Lowery
1994: Clark Terry
Special Millennium Award given to Dr. Billy Taylor